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・ Adoration (disambiguation)
・ Adoration (Tomato)
・ Adoration in the Forest (Lippi)
・ Adoration Monastery of the Sisters of St-Clare
・ Adoration of the Child
・ Adoration of the Child (Bosch)
・ Adoration of the Child (Correggio)
・ Adoration of the Child (Gentile da Fabriano)
・ Adoration of the Magi
・ Adoration of the Magi (Andrea della Robbia)
・ Adoration of the Magi (Bosch, Madrid)
・ Adoration of the Magi (Bosch, New York)
・ Adoration of the Magi (Bosch, Philadelphia)
・ Adoration of the Magi (Correggio)
・ Adoration of the Magi (Dürer)
Adoration of the Magi (Filippino Lippi)
・ Adoration of the Magi (Fra Angelico and Filippo Lippi)
・ Adoration of the Magi (Gentile da Fabriano)
・ Adoration of the Magi (Leonardo)
・ Adoration of the Magi (Lorenzo Monaco)
・ Adoration of the Magi (Mantegna)
・ Adoration of the Magi (Ospedale degli Innocenti)
・ Adoration of the Magi (Perugino)
・ Adoration of the Magi (Rubens)
・ Adoration of the Magi (Rubens, Antwerp)
・ Adoration of the Magi (Rubens, Cambridge)
・ Adoration of the Magi (Rubens, Lyon)
・ Adoration of the Magi (Rubens, Madrid)
・ Adoration of the Magi (Stefano da Verona)
・ Adoration of the Magi (tapestry)


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Adoration of the Magi (Filippino Lippi) : ウィキペディア英語版
Adoration of the Magi (Filippino Lippi)

The ''Adoration of the Magi'' is a painting by the Italian Renaissance painter Filippino Lippi. It is signed and dated at 1496. It is housed in the Uffizi of Florence.
The panel was painted for the Convent of the San Donato agli Scopeti, in substitution of the one commissioned in 1481 to Leonardo da Vinci, who left it unfinished. In 1529 it was acquired by Cardinal Carlo de' Medici and in 1666 it became part of the Uffizi collection.
Filippino Lippi followed Leonardo's setting, in particular in the central part of the work. Much of its inspiration was clearly derived from Botticelli's ''Adoration of the Magi'', also in the Uffizi: this is evident in the disposition of the characters on the two sides, with the Holy Family portrayed in the centre under. Similarly to Botticelli's work, Filippino also portrayed numerous members of the Medici cadet line, who had adhered to the Savonarolian Republic in the period in which the work was executed. On the left, kneeling and holding with a quadrant, is Pierfrancesco de' Medici. Behind him, standing, are his two sons Giovanni, holding a goblet, and Lorenzo, from whom a page is removing a crown.
The general style is that of Filippino's late career, characterized by a greater care to details and by a nervous rhythm in the forms, influenced by the knowledge of foreign painting schools (as also in the landscape of the background).
==See also==

*Adoration of the Magi (Leonardo)
*Adoration of the Magi of 1475 (Botticelli)

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